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1. #Ardour vs reaper mac full#
2. #Ardour vs reaper mac software#
3. #Ardour vs reaper mac trial#
4. #Ardour vs reaper mac license#

If you’ve been reaching the limits of Audacity, then we have some fantastic audio-editing powerhouses here that will expand the scope of your work. While the basics like recording audio, multi-track support, splicing and rearranging clips, and applying effects are seen in every program here, some go much further.

#Ardour vs reaper mac software#

Because of that, we sought out a variety of software today, ranging from straightforward and easy-to-learn audio editors to industry-standard workstations. From podcast recording to music creation, people have found plenty of ways to push Audacity’s relatively limited features to the max.

#Ardour vs reaper mac full#

The Full Package: DaVinci Resolve 17 (Windows/macOS/Linux) Open-Source: Ardour (Windows/macOS/Linux) Take video as an example – yes, in Ardour you can have a video timeline in case you’re making some music for it, but in Reaper you can actually *edit* video.What to Look For in an Audacity AlternativeĮasy to Use: Ocenaudio (Windows/macOS/Linux)

Ardour is wonderful.īut Reaper has a few things which really save you some time, or which can’t be done at all in Ardour. There are many reasons to have them both – first Ardour, since it is open source, runs on Linux, Windows, and Macs, and because a download of a compiled version for Windows or Macintosh machines start at 1$ (or now 1€? Forgot…) – but if you’re fair, and can afford it, you can pay more of course. For my last two collaborations with other musicians from Wikiloops (see below), I’ve used both Reaper *and* Ardour. And so I installed Reaper 6 both on Windows and also on Linux (which I also hadn’t done before).

#Ardour vs reaper mac license#

So when I learned about some really cool tricks and about the new version 6.x of Reaper, I decided to pay for it and to license it – it’s no free software like Ardour (which I also support nevertheless).

#Ardour vs reaper mac trial#

… I had tried Reaper since version 5 or even earlier, but since I never do much on Windows anyway, that trial version was just laying around mostly unused, and the 30 day trial period was way over, although I had only started it a couple of times. So Windows, hm, never was doing much in there… Then I’ve got some more free plugins (and they keep coming if you buy an audio interface from Focusrite, thank you very much to that company!), but like most if not all freebies such as these – they exist for Windows, and for the Mac, and that’s it. Plus it is under a Creative Commons license, and it runs natively as a soundfont on Linux. I’m no pianist, so for me the Salamander Grand, a Yamaha C5 nicely sampled by Alexander Holm was almost equally good. It does work, but of course it puts some load onto the machine that way, which is counter-productive in a near realtime usage like music. I had tried it, loved it, and also installed it on Linux where Windows VSTs need an additional layer to work. With the audio interface I had gotten some free goodies like for instance the very nice XLN Audio Addictive Keys Studio Grand (what a name!) sampled Steinway grand piano – a 90$ value in itself. I have tried the Windows version as well, even the new 6.3 one lately, but in my opinion this free and open source tool runs best on an operating system like Debian which is also free and open source, and I think it’s natively developed on Linux as well. Since I got my audio interface and a studio condenser microphone to record my own voice for videos, I was using Ardour as my main program for recording on my Debian Linux machine.